Worre Studios Floor Plan: Every Room, Measured

The fastest way to understand the room is to watch it get measured. The 76-second walkthrough below moves through the building the way a production does: in off the truck, onto the stage, out to the audience floor, and back through front of house.

Here's the full floor plan as a reference table. Areas are rounded from the measured dimensions, and metric figures are included for international production teams.

Imperial dimensions are the studio's measured figures. Metric conversions and areas are rounded.

The center of the building is a stage in the round, ringed by four curved LED walls at 1.9mm pixel pitch: two long walls at 73' × 14' and two shorter walls at 24' × 14'. Together they form the 360° volume, so whoever is on stage is surrounded by the environment instead of standing in front of it. If you're new to the format, we've covered what a 360° LED volume can actually do in its own piece.

With the volume closed, there's about 7 feet between the stage and the screen. Close enough that the walls light the people on stage, and tight enough that the whole picture reads as one world on camera. The walls can also go green or blue when a production needs to key.

The geometry itself is protected. The opposing curved screens, the circular truss structures, the 360° audio arrangement and the central performance area are covered by granted U.S. utility and design patents, which is part of what makes the layout one of a kind. The full gear list, from the control room to the audio rig, lives on the technology specifications page.

Half of the 360° volume sits on a track system and moves back. When it does, the stage-to-screen distance grows from 7 feet to 40 feet, and a 50' × 40' open floor appears between the stage and the wall, facing the stage.

One track move changes what the room is. Closed, it's a broadcast volume built for cameras. Open, it's a room for a crowd, with the LED still wrapping the back half of the stage so the audience watches the show inside its environment rather than in front of a flat screen. It's how the same floor hosts live events with an in-person audience one week and a closed-volume shoot the next.

Closed, it's a volume built for cameras. Open, it's a room built for a crowd. Same floor, one track move apart.

Stage left is 47'-2" × 55'-9" of open floor, roughly 2,630 square feet, running straight off the truck. Gear, set pieces and cases come off the truck and onto the floor without a freight elevator, a service corridor or a loading dock three hallways away.

For production teams, the staging area is the difference between a smooth load-in and a long one. Road cases can be opened, sorted and staged a few steps from where they'll be used, and large builds can be assembled before they move onto the stage. The room has already taken a full 3-ton steel set piece, built in Texas, shipped in and hung from a custom grid, which we covered in the game show set build. Truck access, airport distances and directions are on the studio location page.

Stage right is a separate 48'-6" × 56' room, about 2,716 square feet, and steps from the stage.

Because it's its own room, whatever happens there doesn't touch the show floor. It gives arrivals, a press line or a pre-show gathering somewhere to happen while the stage stays set, lit and ready.

Front of house is where guests arrive and where talent and decision-makers step away from the floor. Every space here is separate from the stage, so the production never has to share its room with a coat check or a contract review.

The Lobby

The lobby measures 23'-9" × 36'-1", about 857 square feet, and it's where your guests arrive. Multiple washrooms sit steps from the lobby, so guests aren't routed across the production floor to find them.

The Board Room

The board room is 20' × 18', about 360 square feet, built for private meetings away from the floor. Executives, sponsors or a client team can hold a conversation without competing with a sound check.

Two Green Rooms

Two green rooms measure 9' × 17' each, about 153 square feet apiece. They give talent private space before they step on stage, and having two means a headliner and a host, or two speakers, don't have to share.

The Media Village is a bank of 50+ workstations and interactive stations inside the building. It's where the remote audience lives on show day: the team running the virtual side of the event works in the room, not in a separate facility across town.

Remote attendees can appear live on the LED walls, and the Media Village is the operation behind that. Its footprint matters because it keeps the in-room show and the online audience run by one team under one roof. For the full picture of how that audience experiences the show, see how an interactive broadcast differs from a webinar, or our overview of hybrid events at the studio.

A floor plan only matters if it moves people well. Here's how the spaces connect when a show is running:

• Production arrives stage left. Trucks unload onto 47'-2" × 55'-9" of open staging, a few steps from the stage.
• Guests arrive front of house. The lobby receives them, with washrooms close by and the red carpet room stage right for anything that happens before the show.
• Talent waits in the green rooms. Two private rooms, off the floor, until it's time to step on stage.
• The show runs in the round. Closed for a camera-first production, or opened to a 50' × 40' floor for a live crowd.
• The remote audience runs from the Media Village. 50+ workstations inside the same building as the stage.
• Decisions happen in the board room. Away from the noise, without leaving the building.

Teams who have priced the alternative know how much of this gets pieced together elsewhere: a ballroom for the show, a pre-function space for arrivals, a hotel suite for talent, rented walls trucked in and out. Here the layout starts complete. The full comparison is in our look at an event studio versus a convention center.

Measurements tell you whether the room fits. Standing in it tells you what it can do. The booking process includes a virtual walkthrough and an in-person site visit, and you can see finished productions in the studio photo gallery in the meantime.