No install window
LED volume, control room, and infrastructure standing and ready — no build day before you start.
The Technology
The Technology Behind the Spectacle
A virtual production studio in Las Vegas with 360° of 1.9mm 12K LED. 500,000+ hybrid attendees live. One stage engineered for broadcast-grade execution — and built to drive from an iPad.
TL;DR
Worre Studios is an LED volume studio in Las Vegas: a 25,000 sq ft stage-in-the-round wrapped in a 360°, 1.9mm 12K LED volume — roughly 65 million pixels of interactive screen. It runs a full Unreal Engine 5 pipeline you can drive from a tablet without writing code, carries fully redundant broadcast infrastructure, and connects to 500,000+ hybrid attendees live with sub-satellite latency.
It's not a webinar setup. It's a broadcast facility you book complete — walls standing, crew on site, no six-figure LED rental on top.
Key takeaways
- 360° immersive LED volume — you sit inside the screen, not in front of it.
- ~65 million pixels at a 1.9mm pixel pitch across curved 12K walls.
- Unreal Engine 5 + CANVAS, driven by a custom-built system — programmable from an iPad, no code.
- True one-on-one remote latency — no satellite-interview delay.
- Fully redundant broadcast kit: Evertz, GrandMA 3, Yamaha Rivage, AJA Bridge Live.
- Live interaction with 500,000+ hybrid attendees over dual 5G networks.
- Turn-key: walls always standing, crew always here — no LED rental on top.
Unique to Worre Studios
The 360° LED Volume
Most studios put a screen in front of you. Ours puts you inside one. The stage sits in the round, wrapped on all sides by curved 12K LED, so talent, audience, and content share a single immersive environment — front, behind, and all around.
That wraparound is the thing people remember. A flat backdrop reads as "screen behind a presenter." A volume reads as "we are somewhere." Logos become full-360 connected motion graphics; a keynote becomes a UE5 world; a product reveal happens in an environment built for that one moment.
The technical detail
- Configuration
- 360° stage-in-the-round, curved LED on all sides
- Pixel pitch
- 1.9mm
- Resolution class
- 12K · ~65 million pixels total
- Wall array
- Two 73′ × 14′ + two 24′ × 14′ 1.9mm curved LED walls
- Hybrid expansion
- Half the wall system rides a track for reconfiguration
- Footprint
- 25,000 sq ft facility
The 1.9mm pitch is tight enough to hold up on camera at close range and to the in-room audience at the same time — the spec that lets the volume read as a real place rather than a video wall.
Unique to Worre Studios
A UE5 Pipeline, Driven from an iPad
Our real-time environments run on Unreal Engine 5 and CANVAS, driven by a custom-built system — a producer triggers scenes, reveals, and full environment changes live from an iPad, no code.
That's the part that surprises technical buyers. A fully programmable, render-quality environment usually means an engineering team at a console. Here the system is blended and pre-built so a producer — or the CEO themselves — can drive it live: change scenes, trigger reveals, reshape the room.
The stack
- Engine
- Unreal Engine 5 — real-time rendering pipeline
- Media server / blend
- Custom-built system
- Control surface
- iPad — no coding required to operate
One booking, one operator, a fully programmable system. The pipeline is what turns "a screen with your logo on it" into an environment that can become 8–10 distinct worlds inside a single production.
Unique to Worre Studios
Real-time Interactivity & Latency
Remote guests don't watch from a grid of muted boxes — they come fully live on the wall, face to face with the host, with eye contact, in real time. And they do it without the satellite-interview delay everyone recognizes from a bad live cross.
This is the difference between an interactive broadcast and a webinar. The system is engineered for true one-on-one remote conversation: a host and a remote guest can actually talk — overlap, react, finish each other's sentences — because the latency is low enough to carry a normal back-and-forth. A remote audience member can be pulled up onto the screen and brought into the room as if they were standing on stage.
The technical detail
- Latency
- Engineered for true one-on-one remote conversation — no satellite-interview delay
- Real-time reach
- 500,000+ hybrid attendees live
- Connectivity
- Two independent 5G networks
- Interaction model
- Remote guests go fully live on the LED wall, driven from a customizable dashboard
Underneath, the reach is stitched together from licensed conferencing infrastructure — but that's the plumbing, not the product. The product is interactivity at scale: live faces, live conversation, one shared environment.
Built for redundancy
Broadcast-grade Infrastructure
The control room runs on the same equipment a network television facility runs on — with full redundancy, so a single point of failure doesn't end your event. This is the layer that tells a technical buyer the studio is the real thing.
Core systems
- Video routing
- Evertz video router
- Lighting control
- GrandMA 3
- Audio console
- Yamaha Rivage · Dante networked audio
- Control-room audio
- Meyer Galaxy
- Microphones
- Shure Axient
- Comms
- ClearCom intercom
- Streaming / encode
- AJA Bridge Live — full redundancy
- Switching
- Video switcher · full control-room signal chain
Cameras & optics
- Camera package
- Sourced per production to the director's spec
- Camera policy
- Fully camera-agnostic
- ENG / studio
- Sourced per production
- Viewfinders
- Sourced per production
- Camera control
- Sourced per production
- Movement
- Jib + 360° and straight camera track system
- Lenses
- Sourced per production to the director's spec
Worre Studios is fully camera-agnostic — we own everything except cameras and bring in whatever the shoot calls for.
Redundancy is the word that matters here. AJA Bridge Live carries a full backup path, and the signal chain is built so the show keeps going. For a flagship event with hundreds of thousands watching, that's not a luxury spec — it's the reason the booking is safe.
Unique to Worre Studios
The Media Village & Audience Scale
Behind the stage is a 48-to-50-station production floor — the Media Village — that manages the remote audience: who's on screen, who's queued, who's interacting. It's how a half-million-person event stays organized instead of chaotic.
Media Village specs
- Workstations
- 50+ iMac workstations and interactive stations
- Conferencing
- Zoom Enterprise
- On-wall display
- Up to 2,744 simultaneous guest feeds
Read the numbers precisely
Three Capacity Numbers — And What Each One Actually Means
These are three distinct figures measuring three different things. They're never interchangeable — read them precisely.
0+
Live interaction
Hybrid attendees live
0
Displayed on the wall
Guests shown on the LED wall at any one time
0–600
Physical, in-room
350 seated · 500 standing · 600 concert
Unique to Worre Studios
Real-time Multi-Language Translation
One message, delivered live to the whole world at once, in the language each person speaks — with the music, effects, and atmosphere of the event still playing underneath the translated voice.
Most live translation flattens everything: the original audio drops to a dead, muted bed under a single interpreter. Here the ambiance stays alive. An attendee gets closed captions plus a translated voice layered over the real soundscape of the room — so a launch still feels like a launch, not a conference call with a voice-over.
The technical detail
- Languages
- 100+ languages, live interpreter or AI
- Audio design
- Effects, music, and ambiance layered under the translated voice
- Attendee output
- Closed caption + layered translated voice in their language
- Reach model
- Single-source global message — one message, one time, worldwide
The single-source model also kills the game-of-telephone problem: instead of re-cutting and re-sending regional versions that drift apart, everyone receives the same moment simultaneously.
One room, three formats
Hybrid Configuration & the Track System
Half the LED wall moves. It rides a track system, so the same room reconfigures between a fully virtual broadcast, a hybrid event with a live audience, and a traditional in-person production — without rebuilding the space.
That mobility is what makes one venue serve virtual, hybrid, and traditional events. Open the volume up for a seated audience; close it down for an immersive broadcast; reshape it for a concert. The walls follow the format instead of the format being forced to fit fixed walls.
The technical detail
- Moving walls
- Half the 1.9mm LED system mounted on a track
- Modes
- Virtual · hybrid (live + remote) · traditional in-person
- Load-in
- Direct truck access — garage door / drive-in load-in
- Location
- Southwest Las Vegas · public + private airport proximity
Unique to Worre Studios
Turn-key, Always-On
The walls are always standing and the crew is always here. You book a complete broadcast facility — not an empty room you then have to fill with rented gear.
Renting comparable LED walls into a hotel ballroom can run into the hundreds of thousands of dollars just for the walls — before lighting, audio, crew, or control. Here that infrastructure is built in and permanent. One booking covers the room, the technology, and the team that runs it.
What "built-in" means in practice
Crew on site
Engineering, camera, audio, and lighting — the team that runs the room is already here.
Multi-use booking windows
Shoot evergreen or training content in the same booking as the live event.
Bring your own crew
Outside teams run their own show, with only a couple of supervised exceptions on the board and network.
Want a live walkthrough of the tech?
Our team can demo every system before you book.
Technology FAQ
Straight Answers to What People Actually Search.
What Is an LED Volume?
An LED volume is a stage surrounded by high-resolution LED walls that display a real-time, photorealistic environment around the talent — the same technique used in modern film virtual production. Instead of a green screen, the world is on the walls and visible to everyone in the room. At Worre Studios the volume is a 360° wrap of 1.9mm 12K LED, roughly 65 million pixels.
What Pixel Pitch Do I Need for an Event LED Wall?
Pixel pitch is the distance between LED pixels — smaller numbers mean a sharper image at close range. For broadcast and close-up camera work you generally want a tight pitch; Worre Studios runs 1.9mm, which holds up both on camera and for the in-room audience. Looser pitches (4mm+) are fine for far-back arena screens but break down on close shots.
What's the Difference Between a Virtual Event and a Webinar?
A webinar is mostly one-way: a presenter talks, an audience watches in muted boxes. An interactive broadcast brings remote guests fully live — face to face with the host on the wall, in real time — inside a designed environment rather than a video grid. The dividing line is interactivity and production quality, not the number of attendees.
How Many People Can Attend a Virtual Event?
Worre Studios can reach 500,000+ hybrid attendees live and display up to 2,744 remote faces on the LED wall at once, while 350 to 600 share the physical room.
Does Unreal Engine 5 Require a Coding Team to Run Live?
Not here. Our Unreal Engine 5 and CANVAS environments run on a custom-built system that can be driven from an iPad without writing code. A producer can trigger scenes, reveals, and environment changes live during the show.
How Is Latency Handled for Live Remote Interviews?
The system is engineered for true one-on-one remote conversation, without the satellite-style delay that forces awkward pauses. That low latency is what lets a host and a remote guest actually talk over and react to each other in real time.
What Broadcast Equipment Does a Professional Studio Use?
Network-grade facilities typically run dedicated routing, lighting, audio, and redundant streaming. Worre Studios uses Evertz routing, GrandMA 3 lighting, Yamaha Rivage and Meyer audio, Shure Axient mics, ClearCom comms, and AJA Bridge Live with full redundancy, alongside a production-sourced, camera-agnostic camera package on a jib and 360° track.
Can a Translated Event Keep Its Music and Atmosphere?
Yes — and that's unusual. Most live translation mutes the original audio to a dead bed. Worre Studios layers the translated voice over the live effects, music, and ambiance, so attendees in 100+ languages get captions plus translated audio without losing the feel of the event.
Do I Have to Use the Studio's Crew, or Can I Bring My Own?
You can bring your own crew and run your own show — "our house is their house" — with only a couple of supervised exceptions on the lighting board and the core network. Most venues won't allow outside teams to operate at all.
What Does It Cost to Rent a Broadcast Studio with LED Walls?
Pricing varies by project and event type, so it's quoted per inquiry. As context, renting comparable LED walls into a ballroom can run into the hundreds of thousands of dollars for the walls alone; a turn-key facility folds the walls, control room, and crew into one booking.
Ready to see it run?
Bring Us the Event You're Imagining.
Pricing varies by project. Tell us what you're planning and we'll scope the build — walls, crew, and the full pipeline, in one booking.