A Film & TV Production Studio Built for the Shoot
A production needs a stage that does more than hold a set — one with the keying, the lighting, the rigging, and the crew already in place so the shoot day is about the work, not the wiring. Worre Studios is a film and TV production studio in Las Vegas built exactly that way: 25,000 square feet, green/blue-screen keying on curved LED walls, virtual-production tools, and a full grid overhead.
Camera-agnostic and crew-ready. Bring your DP and the camera you want; the stage, the lighting, the keying, and the support are here.
The shoot day is about the work, not the wiring.
What Productions Run in the Studio?
- Film shoots — narrative and short-form, with keying and virtual-production support
- Commercials — hero spots and campaign films in a fully controlled stage
- Television production — episodic, broadcast, and live-to-record
- Music videos and content shoots — immersive LED environments driven in real time
- VFX-heavy and virtual-production work — green/blue keying and real-time compositing
Has a Major Production Shot Here?
Yes — the studio hosted a Tron production for Disney. The shoot brought a costumed performer in an illuminated Tron suit and an illuminated light-cycle set piece onto the stage, using the studio's green/blue-screen keying for VFX compositing, real-time production monitoring, and full lighting and grid rigging, with in-house catering supporting the crew on site. It's the kind of high-end, effects-driven production the room is engineered to handle. Niche Events
Is the Studio Camera-Agnostic?
Completely. Worre owns everything the shoot needs except cameras, and sources whatever camera the production wants — the studio isn't tied to a single brand or body. Your DP shoots on the glass they choose, and the stage, lighting, keying, and crew are built around that. For a production, that flexibility means the room adapts to the shoot instead of the shoot adapting to the room.
On set
Behind the scenes of a Tron production for Disney and a Zoox robotaxi shoot — illuminated costume and set pieces, real-time compositing, and a full crew on the floor.
Can the Studio Supply Crew, or Do We Bring Our Own?
Either way. Bring your own team and run your own show — outside crews work here freely, with only a couple of technical positions held by the studio for safety on the board and the network. Or draw on the studio's crew, from camera and lighting through to graphic artists who render custom virtual-production content. Most stages won't hand an outside team this much freedom; here, creative continuity stays with you.
Keying, Lighting, and Grid Built In
Curved 1.9mm LED walls that go green or blue for keying, GrandMA 3 lighting, broadcast-grade audio, and a full overhead grid for rigging set pieces and fixtures. The complete technical breakdown is on the Technology page. Book the room and the shoot, pickups, and additional content can all live in one booking.
Related Use Cases
Frequently Asked Questions
Is the Studio Camera-Agnostic?
Completely — Worre owns everything the shoot needs except cameras, and sources whatever camera the production wants.
Can We Bring Our Own Crew?
Yes — outside crews run their own show, with only a couple of technical positions held by the studio for safety on the board and the network.
Does the Stage Support Keying?
Curved 1.9mm LED walls go green or blue for keying, with real-time compositing and virtual-production support.
How Big Is the Stage?
25,000 square feet with a full overhead grid for rigging set pieces and fixtures, plus direct truck load-in onto the stage floor.
The Stage Is Built Around Your Production.
Tell us the production and the dates. We'll show you how the stage is built around it.